rainer76: Fringe gals (Default)
[personal profile] rainer76
Fandom: Fringe.
Characters: Nina Sharp and Phillip Broyles.
Rating: Gen.
From this prompt: Nina/Broyles in the Brown Betty 'verse, Broyles is a corrupt cop on the end of his rope when Nina makes him an offer that he can't refuse.

The rain hits the earth like fallen nails, a clang and batter against the pavement. Broyles flicks his collar against the chill, the brief flare of a match warming his fingertips. His dancing shoes are slick with wet, the puddles at his feet a reflected one-two jab of red and blue light. He breathes out and watches as Nina approaches, moving past his patrol car and entering the pedestrian tunnel. Sharp doesn’t hustle, her steps short, powered, never rushed, as if the rain wouldn’t dare dampen her over-priced suits and leather shoes.

“Phillip, I wasn’t expecting to hear from you so soon.” He’s seen corpses three days dead with more colour than Nina Sharp, black on black, gloves running the length of her forearm, face floating above the entire package like a disembodied ghost. Her concern’s as honest as a politician making the rounds on an election campaign. “I trust you’re in good health, my friend?”

The tunnel backchats. A forlorn murmur of friends…rends…ends… And don’t it know the truth.

“Doll,” he drawls. “We need to speak.”

He’ll make Lieutenant one day. Not mired in the beat, dragging in hobo’s, the disenfranchised, the nightly routine of aggravated domestics capped by booze. He’s got a wife and kid to think about; he’s got a new rookie partner with an acre of thigh, fire in her gullet, and a gift for noticing all the wrong, all the right, details.

Her mouth parts, lipstick fire engine red.

“I gathered as much when you summoned me.” There’s disapproval in her voice. People don’t summon Nina Sharp, no one but Phillip would have the gall to try. That she came at all is surprising.

Her nails are short, sharp; the same hellfire as her lips, he knows the purgatory of her kiss, the pain of her caress. Sharp’s all about the angles, playing them, cutting them, dragging her nails across his jaw, then upward from the point of his cheekbone to his brow. She tilts his hat rakishly.

“I was at the opera, Phillip, this better be important.” She exudes entitlement, wealth, the same way a homeless man reeks of urine.

“McKinski’s murder,” Broyles says bluntly. He thinks about the changes he’ll make, when he’s climbed the ladder. He thinks about the spare time he’ll have, stored up for Diane and Chris.

“Ah.” Nina’s eyes brighten. “I understood George Pauren was the chief suspect.”

It doesn’t sound like a question when she says it.

“Ain’t that a stroke of convenience.” He pulls back on his cigarette, the smoke curls in his lungs, warming him through before he exhales. “The Cap’s organised a warrant. We’re raiding his apartment tomorrow.” She looks pleased, her mouth a pleasant moue of satisfaction. “My partner thinks we’re looking in the wrong direction. Dunham thinks the evidence is circumstantial. She thinks, maybe, Pauren’s innocent.”

“Innocence is such a relative term.” Nina turns until she’s standing shoulder to shoulder with him, staring out at the darkness, at the rain pissing down. It’s a black hole night, then it’s red and blue and then black hole night. He can count his heartbeat to the flashes of police light. Somewhere nearby, a converted speakeasy trumpets Louis Armstrong into the night, big band swing, and a cacophony of drums like rolling thunder. “Can she prove it’s not Pauren?”

“If I didn’t know better, I’d say you were concerned, Nina.” He flips the ash from his cigarette. “But we both know that’s never true.”

“Bitter, Phillip?”

“Only for you, doll.”

“I understand Captain Renshall is retiring soon, fortune is recognising opportunity, and I am a well connected woman.”

It’s why Broyles’ is here, why his stomach is churning with bile. “McKinski’s was selling Massive Dynamic secrets to the highest bidder. Or didn’t you think I’d uncover the little detail? Olivia seems to think motive, net gain, lies solely with your company.”

“Your investigative abilities aren’t in question, Phillip. They never were.”

“And George Pauren, genius IQ, patents on half a dozen discoveries, he’s about to start employment at Biotech, quite the coup for your competitor.”

Her smile hasn’t changed, there’s absolutely no tension in Nina’s frame. “And yet, instead of setting your hellcat onto me to…probe…for further answers, here we are, you and I.”

“Here we are.”

“Charming as this is, Phillip, let me be blunt. What do you want?”

“Promotion, job security. You don’t want Olivia Dunham searching through your affairs.”

“This Ms. Dunham sounds intriguing,” Nina corrects, almost a rebuttal, as if meeting Olivia is something she wants very much. “And in return, what do I get?”

“Evidence, strong enough to convict George Pauren.”

“Selling a good man down the river?”

The beat changes from Armstrong to Miller. Broyles tips his head upward, staring at the tiles on the tunnel’s ceiling. “I like the classics.”

Nina leans forward and kisses his throat, teeth a sharp drag against his Adam’s apple, mouth widening around his larynx. It’s uncomfortable, like the grip of a wolf, and something ages old rebels. He swallows convulsively until Nina withdraws. “I’ll bring you to the opera next time.”

A limousine pulls into the street, lights dimmed. Nina turns on her heel and slips into the waiting car. Broyles stares after her, utterly thrown, at a loss. He takes two steps out of the tunnel, feels the wind, the wet, cut him to the bone, and barely stops himself from cold-cocking a stranger as he melts out of the shadows. “Officer Broyles?” He’s bald, whiter than white.

Phillip’s balanced on the balls of his feet, old boxing habits rolling his shoulders forward, his chin protectively low. “Yeah?”

“Ms Sharp said you would know what to do with this.” It’s a package, wrapped up in brown paper, industrial string. The ghost tilts his head, voice pitched high. “When you place it in the apartment, do not to get your fingerprints on the evidence. Or allow your partner to see.”

Diane, Broyles reminds himself, a Lieutenant’s wage, raising Chris right. He tries not to think about how Nina came to this meeting prepared, with the ‘evidence’ at hand, as if all of Broyles’ moves and countermoves had been published in the daily news. “Scat.”

Ghost complies, melts into the shadows as if never there, his feet muted by the rain. Broyles’ swings the door open, drops the package in the passenger seat and slides into his unit. Chilled through.

Date: 2012-01-07 01:34 pm (UTC)
kernezelda: (FB Car Wars)
From: [personal profile] kernezelda
Ooh, this is a shiny, sharp fragment of a broken dream. You do visuals so well.

Date: 2012-01-22 02:49 am (UTC)
ziparumpazoo: Tree covered in pink frost (Default)
From: [personal profile] ziparumpazoo
I've had this open in the background of my iPad for ages now (on the kinkmeme page, but I'd rather comment properly here), waiting for time to sit down and savor it. Finally! So good, such perfect voices, and the dialog is sparse and heavy in innuendo between them. And the details! I can almost feel the chill and the damp. :)

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